[Exclusive] Interview With Rino Nakasone (@RinOkinawa)
When talking about K-Pop dances, the one person mentioned by many will definitely be Rino Nakasone, member of The Beat Freaks and one-half of THE GEMINIZ along with Maryss from Paris. No stranger to fans of Girls' Generation or K-Pop in general, Rino Nakasone has been one of the most awe-inspiring figures in dance this decade. The Okinawa-born Rino is known for having worked with Britney Spears, Gwen Stefani, Janet Jackson and of course, SM Entertainment! Soshified now presents to you an exclusive interview with Rino, cataloguing her experience so far working with SM Entertainment, her thoughts on Girls' Generation and their dances, and her frequent brushes with fan culture! A prolific choreographer with a long list of K-Pop credits under her belt that include the likes of SHINee's "HELLO", "Love Like Oxygen", "Replay", Girls' Generation's "Genie", "Oh!","MR. TAXI", TVXQ!'s "Keep Your Head Down", and BoA's "Dangerous" and "Copy & Paste", Rino isn’t shy about showing her work on a worldwide stage. Freshly back from a trip to Singapore's “The Big Groove 2011″ with The Beat Freaks, Rino says about the country, "Singapore was amazing and it’s always best to travel the world with your friends/family. The people there are so serious about learning dance and were great at it! It was my 2nd time there but I really wanna go back again. I was happy to see Merlion!"
For Rino, the person who has had the most influence on her would have to be the king of pop, Michael Jackson, whom she hasn't worked with personally but will always idolize. Her other influences would have to be Janet Jackson, TLC (with whom she has also not worked with), Tina Landon, and Anthony Thomas. The most meaningful projects she has worked on "will be doing America’s Best Dance Crew season 3 with my sisters The Beat Freaks, and also choreographing “Replay” for SHINee coz that’s where all started." We decided to ask Rino to shed more light on choreographing dances for the top pop acts like Girls’ Generation and SHINee. Q: What has your experience with SM Entertainment been like, so far? You’ve choreographed many dances for SM groups from SHINee to TVXQ to Girls' Generation, but how did you first get in contact with SM Entertainment to create dances for their idols groups? Q: Generally, how much time does it take for you to compose a routine? Do you brainstorm with other choreographers? A: I never know how long it will take for me to choreograph … Sometimes 1 day, sometimes 5 days, depends on my creativity and also my schedule. I work with [Shim] Jaewon and [Gregory] Hwang from SM Entertainment and also my partner who is also in the Beat Freaks, Maryss From Paris. We call ourselves The GEMINIZ. Sometimes the artists help us too! Which I like:)
Q: Many of the dances created for SM artistes have been collaborative work, how do you work with Jaewon for so many songs? Q: Your choreography for BoA and DBSK was pretty much perfect! Did you feel any pressure choreographing for BoA and DBSK, who were doing their comebacks after a long time? Q: Is there a difference in choreographing for a group (SuJu, Girls' Generation) versus a solo/duo? (BoA/DBSK) Does gender come into play when you choreograph a song too? Q: What do you think about the training regimen that K-pop idols go through? Does it make it easier to choreograph for them, since they're trained so rigorously in dance from a young age? Actively involved in Girls' Generation's Japan 1st Arena Tour, Rino was in Japan with them, having "choreographed “You-aholic”, “I’m in love with the Hero”, and “Beautiful Stranger” along with [Gregory] Hwang from SM entertainment." With the 3rd Korean album "The Boys" just released, fans are wondering how Girls' Generation manage to record and practice choreography for new songs to pull off explosive comebacks to the music scene with a brand new album while simultaneously promoting and holding concerts. In one interview, Tiffany mentioned how it takes months for recording but only about a week for the group to complete their choreography. We asked Rino about how scheduling practice time is like when she has to work with busy idols and she says, “It’s crazy how busy they are and how lil time they have to rehearse but we always work it out! They are such professionals!” Most fans might be curious as to how she comes up with jaw-dropping moves to K-Pop songs, whether she's given a concept image to work within, or given the song and granted free reign so she can go all out? How important are the lyrics when choreographing, or does she just go with the feel of the song? Her reply is, "All [of the] above! And it depends on each project. First, I would listen to the song like 100 times and let my imagination tell the concept, then I just go for it. I usually choreograph to [the] feel and melody of the song but lately I try to match the lyrics. Also formation is important! I mean, it’s a science!! I wanna make sure each member gets highlighted in a unique way." As to whether that changes depending on the artiste, Rino tells us, "Overall, I wanna create choreography that only fits for each song, otherwise there’s no point to it. Can’t forget the fact that this is all collaboration between me (sometimes w/ my partner Maryss from Paris) and the SM team!" Here are more questions and answers, with fun little tidbits about how Girls' Generation get to contribute choreography to their own parts during songs, and what Rino thinks about the girls! Q: Girls' Generation's latest Japanese single, 'MR. TAXI/Run Devil Run', reached #1 in preorders at many stores. How do you think the girls can stay ahead of the competition in a market traditionally dominated by female idols with a cute image? Q: In creating choreography for Girls' Generation's ‘MR. TAXI’, did you try to highlight the differences between J-pop and K-pop? For example, K-pop groups are highly praised for their synchronisation while dancing and teamwork, were these part of the points you tried to show with the choreography? Q: You mentioned that people see Girls' Generation as role models. What do you think are the qualities of Girls' Generation that make them so admirable and loved by fans around the world? Q. Do any of the Girls' Generation members provide input for the choreography? For example, MR. TAXI’s “I’m so fast” by Sunny and in hook, Sooyoung’s “Hikari kagayaku” and Seohyun’s “Kedo hurerarenaino” they did it. Also Seohyun and Yoona did their part “Kuse ni narisou na su-ri-ru” from “I’m in love with the hero”. Hyoyeon did her solo on “Oh!”. I am sure there are more but this is all I could think of for now…. Q: Were there any interesting incidents that happened while you were choreographing songs for Girls' Generation? (EG: Tell Me Your Wish (Genie), Hoot, MR.TAXI )
Q: For Girls' Generation, do you find it restricting at all to have to feature each member as she sings? For example, are there any specific parts of a dance you create for the members who are in the background at certain moments? Q: When you choreograph a song and have it performed by other groups, there are bound to be a few differences in terms of style and execution. Do you ever expect a huge difference, and to what extent do you think Girls' Generation captures your original intentions in their performances? Do you think that they bring a softer flair? Are you ever disappointed or surprised by the final product? Anyway, I enjoy how each artist performs my choreography coz I can see their personalities through it. Girls' Generation is one of the best ones doing my choreo! They understand my vision/style. Their synchronization and teamwork has such chemistry!!
For a dancer like Rino, who started out with a humble beginning by imitating her idols, Michael Jackson and Janet Jackson, it's been a blast seeing her work being imitated by fans from all around the world. To her, no matter whom people are, fans of Rino and The Beat Freaks, or fans of K-Pop idols, dance brings everyone together. In this global generation, "UNBELIEVABLE" would be the word she chooses to describe the feelings she gets from seeing her work showcased on such a large-scale stage. A: Yes. I love it!!! There’s nothing like it, to see my own work on stage, I get nervous watching it but also am happy when I see crowds going crazy. I also love watching each artists how they would freak it to their own thing when they have their free moments like freestyles or their solo parts. Q: Are there other dance groups or dancers in particular you would want to work with, such as the I.aM.mE crew who participated on the latest season of ABDC, or even just plain dance-offs with any K-pop artists? Q: You’ve been traveling a lot the last few months (eg. Japan, Singapore, Korea, etc). What are your thoughts on the difference between K-pop fan culture in Korea and overseas? Other than K-pop fans, are there differences in fans of Beat Freaks and The GEMINIZ all over the world? I love The Beat Freaks fans. They supported us positively during ABDC Season 3, and still do to this day. The Geminiz fans, they know and see the chemistry of me and Maryss. Some are MJ fans coz they know we Love Michael and some are K-pop fans coz they know we choreograph for them. Sometimes people tell me, they became a fan of SHINee or Girls' Generation coz of the choreography that I made for them and that makes me so happy! Overall, you can tell how DANCE is a big part of all of us! They enjoy watching people dance!! Me as a dancer/choreographer and being able to get support coz of it is amazing! And I hope that dance industry gets bigger and bigger. Anyway, regardless of wherever they know me from, I truly appreciate their support:)
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We thank Rino once again for being a great sport at answering our questions, and we hope everyone on Soshified had a wonderful time reading the questions. Stay tuned for more exclusive interviews by Soshified (hint: it’s got to do with our nine favorite girls)! Remember to check out the following links for more updates on Rino! Rino's twitter: https://twitter.com/#!/RinOkinawa Written by: soshiluv9@soshified.com Please do not distribute, re-publish or alter this article without express permission from tip@soshified.com. Have a news item that you think Soshified should know about? E-mail us at tip@soshified.com. |